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To cymbal tester, a good crash is music to the ears

By Amy Littlefield

Al Alexander: And the Oscar goes to. . . . .

By Al Alexander

Reel Deal: 'Cop Out' is buddy-cop comedy at its finest

By Robert McCune

Jo Henley takes its roots on the road

By Jay N. Miller

Movie review: 'A Prophet' a work of genius on par with epic literature

By Al Alexander

Movie review: 'Terribly Happy' a mysterious Western set in Denmark

By Ed Symkus

Movie review: The only thing 'The Good Guy' is good at is being horrible

By Dana Barbuto

Movie review: ' The Ghost Writer' a haunting thriller from a haunting director

By Al Alexander

Movie review: Fine acting throughout 'Brooklyn's Finest'

By Dana Barbuto

Movie review: 'Alice in Wonderland' flawed but magical

By Al Alexander

Movie Man: ‘Black Dynamite’ re-creates low-budget fun

By Will Pfeifer

Movie review: Wonders in 'Wonderland'

By Bob Tremblay

In 'Ghost Writer,' actor Ewan McGregor takes on unfamiliar role

By Ed Symkus

The Farr Side: Is there a clear favorite for Best Picture?

By David T. Farr

Sneak Preview: 'Alice in Wonderland' and other new movies

By Al Alexander

Flicks: Burton offers weird ‘Wonderland’; Flicks makes sarcastic Oscar picks

By John Meo

Reel Deal: 'Valentine's Day' has a lot of heart

By Robert McCune

Iconic tune: Bands compete to sing casino’s ad jingle

By Jay N. Miller

Movie review: 'Children of Invention' a haunting look at the immigrant experience

By Al Alexander

Movie review: You'll feel betrayed if you pay to see 'Formosa'

By Al Alexander

Movie review: ‘Cop Out’ is funny, but it’s far from arresting

By Ed Symkus
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